“KS-Hunderter” (2008) by German artist Gregor Hildebrandt deploys his collection of empty audio cassette cases to create the seriality of Minimal Art, simultaneously turning them into a large mosaic.

Hildebrandt’s signature media are cassette tapes and vinyl, which he collages and assembles into apparently minimalist yet latently romantic paintings, sculptures, and installations. Resting in silence behind the glossy surface of his analog aesthetics, which verges on black and white monochrome, music and cinema haunt his practice. Whether pictorial or sculptural, all of his works contain prerecorded materials, which he references in the titles.

Courtesy of Avlskarl Gallery

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